Mark Kidelx

“Obviously I realised that this was a new experience for Fabienne, but I didn’t realise to what extent, and how the experience of working with musicians was going to change her approach to painting… her sense of what she was doing. And so what we see in the film is a gradual process of Fabienne freeing herself.”

“While she was at the Juilliard she began to open up, or reopen up to a very different approach to the creative process that involves the ego in a much greater way, but particularly through the emotions… and obviously music fed that emotional process, the emotional reactions in her, and she was very conscious of that.”